{"version":"1.0","provider_name":"Cooltivarte Portal","provider_url":"https:\/\/cooltivarte.com\/portal","author_name":"Daniel Benoit Cassou","author_url":"https:\/\/cooltivarte.com\/portal\/author\/benoit\/","title":"Dana Awartani \u2013 61\u00aa Bienal Venecia - Un acto de resistencia contra el olvido by Daniel Benoit Cassou","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IWyp1bdRTY\"><a href=\"https:\/\/cooltivarte.com\/portal\/dana-awartani-61a-bienal-venecia\/\">Dana Awartani \u2013 61\u00aa Bienal Venecia<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cooltivarte.com\/portal\/dana-awartani-61a-bienal-venecia\/embed\/#?secret=IWyp1bdRTY\" width=\"600\" height=\"338\" title=\"\u00abDana Awartani \u2013 61\u00aa Bienal Venecia\u00bb \u2014 Cooltivarte Portal\" data-secret=\"IWyp1bdRTY\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cooltivarte.com\/portal\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/cooltivarte.com\/portal\/wp-content\/uploads\/2026\/06\/Dana-Awartani.webp","thumbnail_width":800,"thumbnail_height":533,"description":"La propuesta de Dana Awartani (1987, Yidda, Arabia Saudita) es una de esas obras que obligan a disminuir la velocidad. En una Bienal donde abundan los est\u00edmulos, el Pabell\u00f3n de Arabia Saudita propone exactamente lo contrario, detenerse. \u201cPoner un pie en el freno\u201d, entrar en un espacio de contemplaci\u00f3n, duelo y memoria."}